Director's Diary

                                 From the Director, Kate Raw


April 2022

Lets have some merry ballads!
Music plays an important role in many of Shakepeares plays, and The Winters Tale
is certainly one of these!  The second half of the play is sometimes described as a
pastoral (its the pleasant countryside half also seen in As You Like It) and, as such,
is full of singing shepherdesses, a band called The Saltiers, as well as a rogue
pedlar called Autolycus, who goes about selling ballads, amongst other
things...  There is also music for the more magical aspects of the play (no spoilers!) 
As we get nearer to rehearsals starting at the end of this month, I have been looking
at a wide range of inspiration for the music, from what might have been the original
settings of these songs in The English Dancing Master, to more contemporary
classical music and even Bulgarian womens choirsI want to create a soundscape
for the production that navigates us from the court of Sicilia to the mythical shores
of Bohemia. I visited Iceland in March, and listened to a lot of Icelandic folk, as well
various types of polyphonic harmonies, which I’m interested in using for the more
serious parted of the play.  I hope the music will add to the storytelling carrying us
along the journey with the characters.


March 2022

Thou met’st with things dying, I with things newborn
This quote from this year’s production is resonating with me at the moment. 
Transitioning from one show to another is standard practice for directors, but it
always feels a little strange.  Months and months are spent preparing for a
production, getting to know the story and the characters inside out, and you could
probably repeat the play backwards by the performance dates, and then it’s over,
another band of happy memories.  You place the script back on the shelf; in my
case, Macbeth, full of death, madness and misery, and take another in hand, ready
to start afresh with a new group of actors and team members.  The Winter’s Tale
feels like an appropriate follow on for me as a director.  The first half is unequivocally
a tragedy with familiar themes: a king driven mad, betrayal, accusations, death, and
more misery, but the play makes a sharp 180° at the interval, and transforms into a comedy romance with an emotional finale.  Best of both Shakespearean worlds!

We’ve been busy casting, and I can’t wait for you to see this phenomenal team of
actors.  This year, the cast hails from Gloucestershire, Oxfordshire and Wiltshire, all
coming together in Quenington twice a week from the end of April all the way up to
our performances in July.  This a real testament to the draw that the Cotswold
Arcadians have with their productions each summer – and I can’t wait for you to see The Winter's Tale!